 The Aerial Film Unit varies in
size depending upon need. It can range from
about three
people and one camera ship for simple shots, to a large-scale
aerial second unit on a major feature film involving
multiple aircraft and personnel. Sometimes the aerial
unit will not even involve a camera ship, rather utilizing
story ships for 1st or 2nd unit ground-to-air shots.
In all cases, the whole unit works
as a team. The Aerial Cinematographer, unless required
at a production meeting, is expected to and usually
helps with any mount installation or change-overs while
on location. Each individual must be entirely at ease
working around aircraft. Safety for each member of
the team is key.
The key aerial unit personnel are:
Determines the proper mount, camera equipment, lenses,
filters and film stock to suit the shots/sequence
intended. Responsible for air-to-air, air-to-ground
choreography with the camera ship pilot and/or aerial
coordinator. Almost always functions as the camera
operator. more...
Checks out, installs, balances, reloads and maintains
the airborne camera system. Considering the cost
of aircraft, experience is vital. more...
Determines and locates the suitable aircraft and pilot
to fly both camera and story ships. Obtains local
permits, coordinates the proper choreography and
conducts safety meetings with all pilots, crew, the
aerial cinematographer and director for all aircraft
involved. The aerial coordinator is often the lead
camera ship pilot on the production. more...
Either camera or story ship. All work closely with
the aerial cinematographer and coordinator, safely
executing coordinated maneuvering of all air and
ground elements. Often the sole voice on the air/ground
radio. Everything depends on the pilot's skill and
judgement, as he has the final say when airborne.
more...
Other essential companies and personnel:
The vendor providing the aircraft whose rentals may
include camera mounts. Usually selected by the Aaerial
Coordinator or lead pilot in charge. Not all FBOs
have exclusive experience with the unique needs of
an aerial motion picture production.
Usually provided by the FBO. Has the requisite experience
to handle the safe fueling of the aircraft and transportation
of fuel. Need should be determined by the aerial
coordinator or lead pilot.
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